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Saturday, 17 May 2014
Saturday, 10 May 2014
INNOVATIVE JOURNALISM
*For Magazine Journalism Assessment.
Submitted 10/05/2014
Magazine Production And The Pivotal Role Of Social Media
I
believe it was Gandhi who commended those to “live simply so that others may
simply live.” When
examined from this perspective, we can interpret social media as a rather
existential form; constructed in mind of a complex mechanism which is necessary in maintaining the popularity of the print industry. In other words it’s a dependency, like Michael McFarlane pointed out in my
interview; “you can never forget the print medium because everybody
communicates in print… if you want lasting stories, lasting information; it has
to be reinforced with print, so print will never die.” Consider
the growing obsession of social media as a promotional tool for online
publications or blogs, for example. How can we relate this to the
more traditional form of print?
The
introduction of the internet (not to be confused with the World Wide Web,
created by Tim Berners-Lee in the late 1980’s) saw the vast interconnection of networks on a global scale, which has since been made readily available to the public through a range of different mediums, mainly computers, and more recently portable phones and
tablets. The
current figure of internet users around the world, according to
RealTimeStatistics (09.05.2014), is a whopping *2,508,838,498
and increasing, with approximately six people linking in per second. This is said to constitute around *787,085,233 keyword searches via Google;
reinforcing the importance of certain “tagged” words to promote the content of
a publication. Contemporary networking
sites such as Facebook and Twitter serve as aides in sharing and
distributing content; with an aim to inform the public of current affairs. Each
feature a ‘trending‘ section once signed in, with the additional option to tag
or track certain posts to further expand an audience. But with
such easy access online, would we be right in thinking such ‘specialised’
magazines are becoming a “dying art?”
Gareth
Evans, Editor of Coach and Bus Week Magazine, comments; “social media is an
invaluable tool to both source news and feature ideas and engage with readers…
[it is] a key promotional tool to advertise the sale of additional copies on
the newsstand or direct from our subscriptions team.” It has been argued that one feels comfort in placing an inanimate object. In relation to books for example, it is considered aesthetically pleasing from a voyeur’s perspective, with the object denoting an immediate fiction of the reader themselves. On the other hand, the
substantial rise in technology (detailed above) paves the way for a new
generation of readers. Prior experience with Search Engine Optimization (SEO) when actively editing an online only magazine, proved highly effective in increasing the daily pageviews of the publication; tracked via Slimstat. Twitter account's tailored to a title also proves successful in increasing the magazine’s
current following, inviting a personalized “live tweet” format. Therefore, it can only be expected
that more activity equals an invaluable increase in readership.
Labels:
Blogging,
Coach And Bus Week,
Facebook,
Flickr,
Group Travel World,
Instagram,
Internet,
LinkedIn,
Magazine Journalism,
Michael McFarlane,
SEO,
Social Media,
Tumblr,
Twitter,
Winchester Journalism
Thursday, 1 May 2014
Interview With Editor/Professional Journalist.
*For Magazine Journalism Assessment.
Submitted 01/05/2014
Michael McFarlane is a former publisher/editor who has a vast amount of experience in the audio visual industry; having worked to produce a number of 'specialised' magazines in South Africa.
Submitted 01/05/2014
Michael McFarlane is a former publisher/editor who has a vast amount of experience in the audio visual industry; having worked to produce a number of 'specialised' magazines in South Africa.
Thursday, 3 April 2014
Media Law Update.
*Hanna, M. & Dodd, M. “McNae’s
Essential Law for Journalists” (2012)
Post to outline recent changes made to British Legal System and
how it affects Journalistic practice
as a whole.
*“bloodhound as well as a
watchdog.”
“Media Organisations” used to describe publishers of newspapers,
magazines and broadcasters, etc. Now includes the likes of freelance
journalists and bloggers and “tweeters.”
Journalists can
lawfully “tweet”/text/email live from courtroom.
*Social media as online advancement of modern Journalism; applies to ‘live, text based communications’
only.
*Journalists no longer need to apply to court for permission to
post from internet connected laptops or mobile devices within public proceedings.
*These rules do not apply to members of the public however.
*”An unobtrusive,
hand held, silent piece of modern equipment for the purposes of simultaneous
reporting of proceedings to the outside world as they unfold in court is
generally unlikely to interfere with the proper administration of justice.”
Wednesday, 26 March 2014
Law Summary.
In brief; key points will be built upon over the next couple days.
Introduction.
FREEDOM OF EXPRESSION (EU, ARTICLE 10)
Update: Leveson Inquiry.
Chairman of Inquiry: Lord Justice Leveson.
*Two-part inquiry launched on 13 July 2011 investigating role of press and police following phone hacking scandal at 'News of the World'
*"Who guards the guardians?" Aim to examine the ethics of the press.
*First part of inquiry published 29 November 2012.
CIVIL LAW: Disputes between individuals.
CRIMINAL LAW: Against the community.
STANDARDS OF PROOF:
*"the balance of probability" (CIVIL)
*"beyond reasonable doubt" (CRIMINAL)
THREE SOURCES OF LAW:
*Common Law
*Statute Law (Parliament)
*EU (Human Rights)
RULE AGAINST PRIOR RESTRAINT
*Remedy to follow publication rather than proceed it.
Update: Injunction to undermine above (to perform/restrain against act)
PUBLIC INTEREST as common defence for Journalists.
*Regarding information that is valuable to society as a whole.
Labels:
Civil,
Confidentiality,
Contempt,
Copyright,
Court,
Crime,
Criminal,
Defamation,
FOI,
Journalism,
Law,
Legal,
Leveson Inquiry,
Libel,
Press,
Privilege,
Public Interest
Monday, 17 March 2014
CRITICAL REFLECTION (FYP)
I
approached my role as editor of the BA Journalism (Philosophy) Magazine a
little later than expected but with an already distinct vision of how the
product should function as a web based medium. It
made sense to compare the site to higher-ranking magazines each week (as
outlined in my proposal) with the site itself adequately functioning via a “Gabfire” theme generated for WordPress; which was pretty simple to navigate once I had the right tools. My
new found familiarity with Slimstat
for example was often challenged by questionable peaks in pageviews, which made
sense once technological ‘spiders’
were taken into consideration. Unlike
my previous experience, I found it a lot easier to organise myself in accordance
to the content that had already been uploaded. My
fundamental task was more to “tidy up”
the initial site, which I admit perhaps didn’t take as higher priority as the
weeks went on. A
solid plan to include a ‘debates and
discussions’ tab also took a back seat, as did actively editing the front
page as a whole. Referring back to my FYP proposal however, I believe I did well to build upon each
objective within this fully functioning website.
*Increase All Social Media Relating To Website.
By
the second week of active editing, a Twitter account had been set up under the
alias @PhilosophyWinch with an aim
to increase the magazine’s current following. Within
four days the account managed to obtain *9
individual followers, which has now increased to a comfortable *19 dated 16th March 2014. Experimentation
with a “live tweet” format, where I
proceeded to tweet mini tasters mid-semester, did well to increase social media
hype.
*Edit All Existing Content.
“Rome wasn’t built in a day” so when
considered in relation to all other responsibilities, subbing lecture notes was
probably the least prioritized aspect of the project. I
did however make the executive decision to begin ‘cleaning up’ the site, by setting all new content delivered via RSS
feed to ‘pending;’ thus preventing
automatic posting and promoting strict content regulation.
*Optimize Content And SEO Checks.
I
thoroughly enjoyed getting to grips with the varying aspects of statistical
data through Alexa and Slimstat (amongst others). I
would have liked to become more involved with Google Analytics specifically but a strict routine of blogging every
week did well to motivate and keep me up to date with the magazine as a whole.
Saturday, 15 March 2014
HCJ Statistics #5
The
end of my previous post sparked the start of a definitive increase in pageviews
which had peaked to a little over *2,000 on 17th February 2014. The
past fortnight has seen this number continue to increase, with the highest amount
of pageviews equalling *3,121 on 26th February 2014. The
magazine has also managed to increase its international audience, with
approximately *50% recorded originating
from the US. With
this in mind, a French translation of ‘The Great Gatsby’ piece has been uploaded alongside the birth of a new tab,
which is clearly advertised on the front page.
Circulation figures date from 04.03.2014 via alexa.com.
WEBSITE
NAME
|
GLOBAL
RANK
|
UK RANK
|
BA-JOURNALISM.CO.UK
|
7,549,124
|
|
NEWPHILOSOPHER.COM
|
176,116
|
2,341 (AUS)
|
PHILOSOPHYNOW.ORG
|
304,471
|
110,466 (US)
|
PHILOSOPHYBITES.COM
|
957,533
|
|
DIALECTICONLINE.WORDPRESS.COM
|
8,539,089
|
The
BA JOURNALISM site overall has seen a steep decline in global rank, with a
significant drop of minus *2,801,437
over the past couple weeks. I would like to think this
decrease is a result of the expanding development of the site’s UK rank, which I
will continue to monitor over the coming fortnight.
Thursday, 27 February 2014
‘Resident Evil’ And Post Apocalyptic Nihilism
Part four of a five part series. A film series
based on the renowned video game franchise, this essay aims to explore the
representation of “passive nihilism”
within Resident Evil.
This spine-tingling horror series has spanned almost 12 years, soon to welcome the franchises sixth installment in 2015. Set in a post-apocalyptic “Racoon City,” Resident Evil follows a story of salvation through the key character of Alice; the epitome of a “Martyr” within the post-modern condition. She opposes Nietzsche’s view to live a life based on impulse by instead existentially choosing to make amends for the chaos she feels she has created.
This spine-tingling horror series has spanned almost 12 years, soon to welcome the franchises sixth installment in 2015. Set in a post-apocalyptic “Racoon City,” Resident Evil follows a story of salvation through the key character of Alice; the epitome of a “Martyr” within the post-modern condition. She opposes Nietzsche’s view to live a life based on impulse by instead existentially choosing to make amends for the chaos she feels she has created.
RESIDENT EVIL (2002)
*Main
character Alice as female “Ubermensch”
with near-impossible combat skills. Feminist perspective indicates she is somewhat
objectified, as red dress connotes seduction and lust. (1:40)
*Genetically
mutated beasts as represented evil, referred to as ‘Lickers’ on account of their lengthly, outstretched tongues. (1:50)
*Metallic
typeface connotes a sharp, edgy, clinical feel, derivative of destination ‘The Hive;’ an underground laboratory/“empty vessel serving as a vehicle for the
desires of the sacrificer.” (30, 2 minutes)
*‘The Red Queen’ assumes control of the
facility through technological advancements. Computer has been humanized;
modelled on the daughter of an ‘Umbrella’
scientist. (2:05)
With its release,
Resident Evil offered the audience genetically enhanced mutants through metaphysical
means. Humans were developed
as weapons-in-themselves with Alice, a rather Croft-like figure, becoming the
exception to the rule as she successfully overcomes her newly found “superhuman” capabilities. As former head of
security at totalitarian establishment “The
Hive,” Alice represents Locke’s “blank
slate” as she attempts to regain control; battling against modern humanized
technology. “A human being, like a god, could be strongly or weakly charged,
depending on how perilous, how respected he or she was.” (24) In
Heideggerian terms, humankind attempts to overcome all in a battle against the
rise of science and technology, even in death.
*WRITTEN AS PART OF THE UNIVERSITY OF WINCHESTER'S PHILOSOPHY MAGAZINE. READ THE REST OF THIS ARTICLE HERE.
Monday, 17 February 2014
HCJ Statistics #4
It
is important for a magazine to stay ‘on
trend’ when it comes to their content. One
key example of this was my in-depth analysis of
“The Great Gatsby,” complete with strong
imagery from a philosophical photo shoot produced by the former WINOL fashion team. I believe this article in
particular managed to acquire the magazine *1,000 pageviews three times in the week commencing 2nd February 2014 (see table
below).
This has been the highest target the magazine has achieved this semester; reaping the promotional benefits of its newly found social media. This post will mainly focus on the deeper aspects of statistical data, such as bounce rates, etc.
Circulation figures date from 16.02.2014 via alexa.com.
WEBSITE
NAME
|
GLOBAL
RANK
|
UK RANK
|
BA-JOURNALISM.CO.UK
|
4,747,687
|
|
NEWPHILOSOPHER.COM
|
172,268
|
2,231 (AUS)
|
PHILOSOPHYNOW.ORG
|
318,424
|
113,577 (US)
|
PHILOSOPHYBITES.COM
|
1,002,378
|
|
DIALECTICONLINE.WORDPRESS.COM
|
8,659,763
|
It
has been recorded that people currently spend an average of *5 minutes per day on the BA JOURNALISM site compared to the *6 minutes acquired by the more upmarket
NEWPHILOSOPHER. In
regards to bounce rates, BA JOURNALISM is practically non-existent; with PHILOSOPHYBITES taking the lead with an average of *70%. In
response to these figures, I shall begin the “treatment” stage of editing; actively subbing lecture notes in an
attempt to clean up the initial site. Regular
SEO checks should also help to improve this aspect.
Number of pageviews recorded (below) date from 2nd February 2014 to 15th February 2014 via Slimstat.
Saturday, 15 February 2014
Thursday, 13 February 2014
BioShock Infinite In Regards To Religion
The third of a five
part series. This essay aims to explore the correlation between nihilism and religion within the world of BioShock Infinite.
Socialism; “The harder this de-alienation of work tries to escape from the idealization of ‘artistic’ production, the more it must define itself.” (22) |
Descartes; “aesthetic consciousness’ may be recuperated
as an experience of truth precisely insofar as this experience is substantially
nihilistic.” (114)
|
A floating city in the sky, idealistically “the city of dreams” forms the basis of the franchises 2013 installment. Much like its predecessors, destination ‘Columbia’ is a city in revolt, violently called for by revolutionary Daisy Fitzroy; who could be viewed as a Sartrean type figure. Father Comstock dominates as the so-called ‘prophet,’ dictating with the appearance of a Marxian character. He is however, counteracted by the otherwise controlled Booker DeWitt; labelled the ‘False Shepherd.’ This hermeneutic interpretation is wholly Christian with a Kantian outlook; if you can’t see it then it doesn’t exist. A theory mostly demonstrated in the games epic conclusion, with Elizabeth envisioning a key to open the door to the lighthouse. On a similar note, the quote (above) suggests existential ‘choice’ as a way to progress; old values become forgotten and thus replaced with modern ones.
*WRITTEN AS PART OF THE UNIVERSITY OF WINCHESTER'S PHILOSOPHY MAGAZINE. READ THE REST OF THIS ARTICLE HERE.
Wednesday, 5 February 2014
An Analysis Of "The Great Gatsby"
This essay aims to immerse itself in the world of Mr. Jay Gatsby from both an Economic and Marxist viewpoint.
"She told me it was a girl, and so I turned my head away and wept. "All right," I said, I'm glad it's a girl. And I hope she'll be a fool - that's the best thing a girl can be in this world, a beautiful little fool." (16)
Image Courtesy of Sophie Webb |
The front cover of the novella boasts privilege and seduction, replicated by a young and beautiful woman, most likely a flapper in her day, wearing glimmering white pearls and a feather hat. She is forefront and wearing black, which from a Marxist perspective could be interpreted as in 'mourning' to the material crisis of Capitalism; the rejection of Communism as "the god that failed" much like the character of Jay Gatsby himself. Author Fitzgerald is said to have lived a notorious lifestyle following the publication of his first and highly successful novel "The Side of Paradise" in 1920. A time when the economy was constituted by a state of equilibrium; but from a boom must come a bust. The outlook was highly Keynesian, with Capitalism being seen as a more efficient and effective way to progress.
Before his anticipated appearance, expectations of Gatsby would amount to some "hot shot" revolutionary rich kid; an advocate of private ownership who hosts fancy parties at his monetary mansion in West Egg. "The truth was that Jay Gatsby of West Egg, Long Island, sprang from his Platonic conception of himself." (80) Further suggested here that he acquires a kind of idealistic admiration for himself; characteristic of his 'old sport' nature. Instead, he chooses to diminish himself in the background of events and is therefore perceived as some sort of mythical creature.
*WRITTEN AS PART OF THE UNIVERSITY OF WINCHESTER'S PHILOSOPHY MAGAZINE. READ THE REST OF THIS ARTICLE HERE.
Monday, 3 February 2014
HCJ Statistics #3
Over
the past couple weeks, more content has been uploaded relating to popular
culture (2/12) accompanied
by illustrations generously attributed by a media production student at the
University of Winchester. Also
see the magazines latest article on Synaesthesia, which
has brought a lot of traffic to the site, acquiring *148 hits since its upload on 1st
February 2014 (03.01.2014 via Slimstat).
© Illustration By
Devan Fulham
|
These statistical blog posts have acted as a relative "diagnosis" of the website, detailing what should be improved in order to increase pageviews. This can also be demonstrated through the various plug-in "tools" used such as Slimstat and SEO (Search Engine Optimization). My "objectives" overall were outlined in my proposal; in which I am aiming to achieve around *1,000 pageviews per day.
WEBSITE
NAME
|
GLOBAL
RANK
|
UK RANK
|
BA-JOURNALISM.CO.UK
|
4,735,852
|
|
NEWPHILOSOPHER.COM
|
168,583
|
2,623 (AUS)
|
PHILOSOPHYNOW.ORG
|
335,741
|
166,631 (US)
|
PHILOSOPHYBITES.COM
|
1,041,512
|
419,276 (US)
|
DIALECTICONLINE.WORDPRESS.COM
|
14,156,941
|
The table above shows that PHILOSOPHYBITES dominates in global rank by approximately *3,694,340 compared to the main BA JOURNALISM site. The website features a range of in-depth interviews with experts in the field which can be accessed through the medium of podcast. This has inspired me to include something similar within the site in regards to a “discussions” tab, which will consist of a range of philosophical debates by students and lecturers alike.
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